Opening 19 March 2016, Palazzo Strozzi in Florence presents masterpieces of European and American art of the 1930s to the 1960s from the collections of Peggy Guggenheim and Solomon R. Guggenheim.
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Opening 19 March 2016, Palazzo Strozzi in Florence presents masterpieces of European and American art of the 1930s to the 1960s from the collections of Peggy Guggenheim and Solomon R. Guggenheim.
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From Kandinsky to Pollock. The Art of the Guggenheim Collections in Palazzo Strozzi (Florence, Italy) starting 19 March and running till 24 July 2016.
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An elementary school canceled a class visit to a religion-themed art exhibition because it might irk non-Catholic students, La Nazione regional daily reported.
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The White Crucifixion by Marc Chagall was transferred from Palazzo Strozzi to the Florence Baptistery.
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Palazzo Strozzi in Florence will be holding an exhibition entitled Divine Beauty from Van Gogh to Chagall and Fontana from 24 September 2015 to 24 January 2016.
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After lingering for more than a century in storage at the Archaeological Museum of Florence, an historical bronze horse head once owned by Lorenzo the Magnificent is undergoing restoration.
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Starting 14 March 2015 Palazzo Strozzi in Florence will be hosting a major exhibition showcasing some of the ancient world’s most important masterpieces of sculpture with exhibits from leading Italian and international museums.
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A major new event devoted to one of 20th century painting’s greatest masters, Pablo Picasso is open in Florence until January 25, 2015. An extraordinary exhibition of works from the collection of the Museo Nacional Centro de Arte Reina Sofía in Madrid.
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As of 20 September 2014 Palazzo Strozzi in Florence will be focusing on modern art once again with a major new event devoted to one of the greatest masters of 20th century painting, Pablo Picasso.
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Palazzo Strozzi will be hosting from 8 March to 20 July 2014 a major exhibition entitled Pontormo and Rosso Fiorentino. Diverging Paths of Mannerism, devoted to the work of Pontormo and of Rosso Fiorentino, the two painters who were the most original adepts of the new way of interpreting art in that season of the Italian Cinquecento which Giorgio Vasari called the ‘modern manner’.
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