Artist interviews have shifted from storytelling to direct access. The case of Richard Gadd.
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Author: Eirini Lavrentiadou
Eirini Lavrentiadou is an actress and singer, born in Thessaloniki in 1992. She lives in Florence, where she trained at the city’s Theatre Academy and the Fiesole School of Music. She has performed in classical Greek and European plays, worked with international directors and companies, and appeared in concerts ranging from opera to jazz. She contributes to Florence Daily News as a writer.
Millennials as Racehorses: When Personal Value Becomes a Matter of Performance
Growing up, for many millennials, meant learning early how to run—and not just metaphorically.
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When Art is Measured by the Box Office
Timothée Chalamet sparked criticism after saying he had little interest in working in ballet or opera because they attract limited audiences.
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History Doesn’t Repeat Itself
People often say that history repeats itself. Iran offers a clear example of the opposite.
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The Strange Seriousness of Eurovision
The Festival di Sanremo chose Sal Da Vinci with a neomelodic tune; Italy now wonders if this is the right image for the Eurovision Song Contest.
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When Love Is as Frightening as Hate
A single sentence during the halftime show of the Super Bowl LX turned a global spectacle into a moment of reflection.
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The Movement That Made Us
For most of human history, migration was not a political choice.
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When Violence Stops Only with Permission
The withdrawal of police forces is often presented as a gesture of moderation. But it is not.
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Fra Angelico, when the Museum Becomes a Cathedral
In recent years, critics and historians have noted how museums have quietly assumed a role once occupied by churches.
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The Distance Between Women: Generations and the Unequal Weight of Silence
Generational gaps between women often stem from different ways of naming, remembering, and making sense of experiences that were once endured in silence.
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