Jorge Lorenzo took a victory at Mugello

Jorge_LorenzoJorge Lorenzo took a victory at the Mugello circuit, Florence, Italy, leading from the first turn till the finish. This win extended his lead in the championship to 19 points over second placed Dani Pedrosa. The race started with Pedrosa entering turn one in the lead, but he ran wide in the long right hand sweeper leaving a gap for Lorenzo to squeeze through.

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Moto GP, Pedrosa on pole for Mugello

dani-pedrosaWith the top lap times in the first three practices, and a new circuit record, it seemed certain that Jorge Lorenzo would capture the pole for Round 9 of the 2012 MotoGP World Championship at the Mugello Circuit near Florence, Italy. But, with time for only one more lap remaining, and another record-setting pace, Lorenzo sat up and rode into the pits.

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Accademia, three concerts around an exhibition

Accademia Gallery in FlorenceArt Returns to Art – Three Concerts around an Exhibition is promoted by the Galleria dell’Accademia and organized by Daniele Lombardi. It will start 10-01-2012 and will end 11-10-2012 at the Accademia Gallery in Florence, Italy. An extensive program of collateral events has been organized to accompany the exhibition Art Returns to Art, which presents over forty works by thirty-two contemporary artists in the historic premises of the Galleria dell’Accademia in Florence.

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Starhotels Group posted record sales in 2011

Elisabetta Fabri, Starhotels“Despite the recent financial turbulence, Starhotels Group, which includes Starhotels S.p.A. and Castille S.a.s., posted record sales in 2011, reaching €142.5 million – the best result in its history”. These were the words of Elisabetta Fabri, who in January 2012 was appointed President of the Starhotels Group, founded and led by her father Ferruccio Fabri, now Honorary President.

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Myths and stories in Renaissance Maiolica

Maiolica, another aspect of the Florentine RenaissanceFor its spring 2012 season, the Museo Nazionale del Bargello has organised an exhibition on the historiated majolica of the Renaissance, exploring how this art form relates to its literary, historical and figurative sources.
 The museum’s worldwide reputation relies above all on its numerous masterpieces of Renaissance sculpture, yet its equally outstanding collections of “applied art” are, in many ways, a crucial element in the attraction that the museum holds for visitors.

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